I love to develop typefaces, play with them, shape them and match them to different events. During my studies I digitized the typeface GENZSCH ANTIQUA from a 28pt lead typeface in a course. For this purpose, it was printed several times on a Heidelberg platen with different print weights, scanned in high resolution and traced manually. CYPRUS GLASS was created from the shards and pieces of plastic found on the beach in Cyprus. THEMOOCK simply wanted to be flexible and versatile and a joy to play with. Loud and Proud, on the other hand, was meant to be the typeface 100DAYS by performance artist Simon Pfeffel, who uses tape and steel constructs as his main material. TEMPUS FUTURUM is dedicated to the Buchdruck Museum Hannover and the Werkstatt Rixdorfer Drucke (the first German artists’ collective), it was created from discarded lead letters condemned to be thrown away. Together with Christian Schwarzwald (Schwarzwald x MOOCK) I explore how letters and their forms are connected and try to break them up.
I love to develop typefaces, play with them, shape them and match them to different events. During my studies I digitized the typeface GENZSCH ANTIQUA from a 28pt lead typeface in a course. For this purpose, it was printed several times on a Heidelberg platen with different print weights, scanned in high resolution and traced manually. CYPRUS GLASS was created from the shards and pieces of plastic found on the beach in Cyprus. THEMOOCK simply wanted to be flexible and versatile and a joy to play with. Loud and Proud, on the other hand, was meant to be the typeface 100DAYS by performance artist Simon Pfeffel, who uses tape and steel constructs as his main material. TEMPUS FUTURUM is dedicated to the Buchdruck Museum Hannover and the Werkstatt Rixdorfer Drucke (the first German artists’ collective), it was created from discarded lead letters condemned to be thrown away. Together with Christian Schwarzwald (Schwarzwald x MOOCK) I explore how letters and their forms are connected and try to break them up.
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